Meet our
estate collection.
One-of-a-kind pieces sourced from estate sales and interior design projects.
Set of five plates and one oval platter in good antique condition. Pieces show some rubbing and loss to the gilt trim, consistent with age and normal use.
Dimensions: 6 7⁄16” round, 14 ⅜” x 6 7⁄16” oval
Surrealist Profile Ceramic Platter in White Porcelain.
Dimensions 11” high, 8” wide, 1 ¾” deep
Made In Greece.
Pair of brass candlesticks in good antique condition. Pieces show age-related patination including areas of verdigris. Scattered scratches and scuffs throughout, consistent with age and use.
Dimension 15” high, base 4 ⅛” round
Green ceramic Jonathan Adler Trio of Fish sculptures with textured surfaces. Designer-stamped on the bottom and in excellent condition.
Dimensions: 10 ⅛”, 9 ¼”, 7 ⅜”
Colored neck glass vase. Amethyst, grey Murano glass hand-made two-tone design curved silhouette transparent design wide base. Designer: Tapio Wirkkala Collection: Bubbles
Dimensions: 5” wide x 8¼'' high
Hackman large enameled aluminum ‘Tuuli’ bowl. Warm ombre of red, orange and yellow. Scattered scratches and blemishes, consistent with age and use. Designer: Brita Flander
Dimensions: 19 ½” round, 3 ½” high
Designed in 1953 for Johannes Hansen, Denmark. Crafted in oak and teak with brass details, this iconic chair exemplifies Wegner’s thoughtful approach to functional, sculptural design.
Dimensions: 37¼” height × 20” width × 21” depth.
Bocherini: Concerto in G First Recording, Haydn: Concerto in C - Philips PHS900-111
Artists: Maurice Gendron, Cellist - London Symphony Orchestra, Raymond Leppard
Gourd-shaped, multi-lobed sculptural vessels. Ceramic with a black oxide finish.
Dimensions: 27 ⅞” high, 20 ¼” high
Off line, non-digital.
A analog room is designed for humans first. A room where you can pick up something with weight: a book, a pen, a persons hand. Where you can read a book you can't search, write a letter nobody can screenshot and have a conversation with a friend who isn't checking their phone under the table. The genius of friction: you have to get up, flip the record, sharpen the pencil. That friction is the point.
